![]() ![]() It is the fruit of long research on the history of typography in Brittany. The most accomplished example of truly Breton typography that exists to date is the Brito created by Fañch an Henaff. In the same way, typographies like the Vulcain (or any other geometric typography referring to the Art Deco movement) are seen as Breton, following their repeated use by the Seiz Breur. Thus, the Libra, Belgian typography, is seen as a typically Breton typography after having been used many times since 1930 in the Breton press. Because in truth, it is the repeated use of a typeface and not its historical or geographical origin that creates its identity. However, we see it frequently used to evoke the idea of Bretonness. Historically, the uncial is therefore not particularly Breton and relates rather to the Middle Ages of Western Europe. Half-uncials, which gave rise to the Irish and Anglo-Saxon insular scripts, come not from the uncial but from the new Roman cursive and national scripts developed after the fall of the Roman Empire. The printing press has definitively made it disappear from common usage. ![]() At the beginning of the 9th century, the tiny caroline tends to replace it and it is no longer used except to trace the beginnings of books, chapters or sections, like our capital letters. It is the writing par excellence of the codices, adapted to the pen. It was created from capital letters and ancient Roman cursive. The uncial is a specific spelling of the Latin and Greek alphabets used from the 3rd to the 8th centuries. ![]()
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